The reading of the script made visual — coverage, casting and breakdown, laid out however the project needs.
The built assets — a character across costumes, the locations in their variety.
Frames per scene down the script — a two-window row per scene for an A/B board, or wider.
A scene broken into sub-shots — pair them A/B per row, or lay the sequence out.
The delivered frames — full-bleed, big, presentation quality.